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Chris Burden Size:14 ½ x 14 ½ inch (36.83 x 36.83 cm) image | 19 ¾ x 15 7/8 (50.17 x 40.32 cm) print Pigment print on archival paper
Chris Burden Size:14 ½ x 14 ½ inch (36.83 x 36.83 cm) image | 19 ¾ x 15 7/8 (50.17 x 40.32 cm) print Pigment print on archival paper
Chris Burden Size:14 ½ x 14 ½ inch (36.83 x 36.83 cm) image | 19 ¾ x 15 7/8 (50.17 x 40.32 cm) print Pigment print on archival paper
Chris Burden Size:14 ½ x 14 ½ inch (36.83 x 36.83 cm) image | 19 ¾ x 15 7/8 (50.17 x 40.32 cm) print Pigment print on archival paper

Chris Burden Size:14 ½ x 14 ½ inch (36.83 x 36.83 cm) image | 19 ¾ x 15 7/8 (50.17 x 40.32 cm) print Pigment print on archival paper

SKU: 91748291520

4.2
EUR1600.00 EUR1629.00

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Chris Burden Size:14 ½ x 14 ½ inch (36.83 x 36.83 cm) image | 19 ¾ x 15 7/8 (50.17 x 40.32 cm) print Pigment print on archival paperArtwork Info About the Artist Artist Docs 1983 Gelatin silver print Annotated 1, in ink, au recto Signed, titled, dated, and annotated For Bernice XX, in pencil, au verso Printed in 1983 Arnaud Maggs (1926 2012): Born in Montral, Arnaud Maggs early career as a graphic designer and fashion photographer transitioned into a fine art practice in his late 40s. Central to his process was an enduring interest with systems of identification, and a fascination

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Description

Pigment print on archival paper with archival matte laminate

the Dalai Lama

Wedge Curatorial Projects

and a bird's-eye view of Alamo Plaza showing crowds viewing the Battle of Flowers parade at the Fiesta de San Jacinto (1935)

Chris Burden Size:14 ½ x 14 ½ inch (36.83 x 36.83 cm) image | 19 ¾ x 15 7/8 (50.17 x 40.32 cm) print Pigment print on archival paperArtwork Info About the Artist Artist Docs 1983 Gelatin silver print Annotated 1, in ink, au recto Signed, titled, dated, and annotated For Bernice XX, in pencil, au verso Printed in 1983 Arnaud Maggs (1926 2012): Born in Montral, Arnaud Maggs early career as a graphic designer and fashion photographer transitioned into a fine art practice in his late 40s. Central to his process was an enduring interest with systems of identification, and a fascination

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