Prophet with No Tongue José Ortiz-Pagán The printmaking process demanded she

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Prophet with No Tongue José Ortiz-Pagán The printmaking process demanded sheThis print is constructed of cut paper inked with colors that evoke a city skyline. The deep blue is punctuated by bright pinks and yellowsevidence of bright lights in a bustling metropolisand the irregular shape evokes a silhouetted cityscape. Mary Lovelace ONeal worked primarily as a painter until 1984, when Robert Blackburn invited her to his printmaking studio. Captivated by the print medium, she created this work at the Brandywine Workshop in

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